Art Farmer Biography “What I try to do with a song,” said Art Farmer, “is to get as much enjoyment out of playing as I can. He played in the ORF Big Band from 1971 until 1977.
Art Farmer was a jazz musician who played trumpet, flugelhorn and flumpet. Genres: Jazz, Hard Bop, Cool Jazz. The Farmer moved from trumpet to playing mostly flugelhorn from the early 1960s, utilising the latter instrument's more mellow sound and Farmer's ability to get what he wanted from it without having to use a mute.Farmer's determination to keep exploring forms of expression continued throughout his life. Farmer partit ensuite avec son frère à Los Angeles, découvrit alors le jazz et joua avec Benny Carter, Gerald Wilson et Dexter Gordon. Calling it the “flumpet,” Art performed on the instrument during his late career. The ensemble is in top form on the Golson-penned composition “Park Avenue Petite.” Tyner begins the song with a short introduction that encapsulates the melancholy character of the song. Throughout the late 1970s, his quartet included saxophonist Harry Sokal, pianist Fritz Pauer, bassists Heiri Kanzig and Paulo Cardoso, drummers Mario Gonzi and Joris Dudli. Entitled Azure, the album featured several originals, standards and even a traditional Austrian folk song. During the late 1980s, his quartet featured saxophonists Clifford Jordan, Jerome Richardson and Frank Morgan.In 1987, Art and Fritz Pauer recorded an album of duos. At the age of fifteen, joined a dance band that played standard arrangements of compositions by bandleaders Count Basie and Duke Ellington and Jimmie Lunceford. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. After two years with Silver, Art performed in a small group led by baritone saxophonist Gerry Mulligan.In 1958, Farmer released the album Modern Art featuring two original compositions as well as standards such as “Darn That Dream” and “Like Someone in Love.” A highlight of the record is the song “Jubilation,” which features Addison Farmer, Benny Golson, pianist Bill Evans and drummer Dave Bailey.The song begins with an eight bar introduction with the entire group playing a melodic line in harmony. For the reunion, Art and Benny were able to get the group’s original trombonist Curtis Fuller to participate.Throughout the early 1980s, Farmer performed with tenor saxophonist Chico Freeman and recorded as a co-leader with trombonist Slide Hampton. Unfortunately on February 20, 1963, Addison died unexpectedly at the age of thirty-four. In 1964, Steve Kuhn replaced Hall and beginning in 1965, Farmer led a quintet with tenor saxophonist Jimmy Heath.In 1968, Farmer moved to Vienna, Austria after being invited to join the Austrian Radio Orchestra. Beginning in 1989, Farmer performed on a hybrid instrument designed by craftsman David Monette that took the mechanics of the trumpet and flugelhorn. His … Art’s solo is a flawless example of his advanced harmonic knowledge, which he demonstrates by taking a small concept and slowly building it over the course of the solo.
Art displays his talent for the ballad form by articulating his notes with a sense of sadness to fully illustrate the quality of the ensemble’s performance.
Though at this time he was based in Vienna, Art regularly toured throughout the United States where he would perform with local rhythm sections.In 1977, Farmer formed a quartet that toured throughout the United States, Europe and Japan.
À 15 ans, il a commencé à jouer de la trompette dans un orchestre de bal. Farmer and Mulligan blend together seamlessly with the two horns mirroring each other’s part, providing an attractive counterpoint. The introduction perfectly establishes a funky, laid-back feel. With Otis, Art gained substantial touring experience, whom he toured with to New York City. In 2001, Art was posthumously inducted into the Big Band and Jazz Hall of Fame. Art Farmer, dont le frère jumeau , mort en 1963, était un bassiste renommé, a grandi à Phoenix en Arizona et a d'abord appris le violon et le piano. One comment on a concert given when Farmer was 67 was that "his style was continuing to evolve"; he "delivered several solos in which his characteristically flowing lines were interrupted by sudden, wide melodic leaps and disjunct rhythmic accents".Balliett, Whitney (September 23, 1985) "Profiles: Here and Abroad" Robinson, Greg (October 1994) "Art Farmer: Playing It Right". As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as Art Farmer was born an hour before his twin brother, on August 21, 1928, in Farmer and his brother moved to Los Angeles in 1945, attending the music-oriented Farmer's first studio recording appears to have been on June 28 or July 2, 1948, in Los Angeles, under the leadership of vocalist Farmer worked in Los Angeles for a time as a hotel janitor and a hospital file clerk, before joining Farmer relocated to New York and, on July 2, 1953, had his first recording session as leader. Albums include Modern Art, Meet the Jazztet, and Crawl Space. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. In 1953, Art performed in vibraphonist Teddy Charles’s group New Directions alongside bassist Charles Mingus.
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