agora film summary

Hypatia has no interest in faith; she's concerned about the movement of celestial bodies and "the brotherhood of all". Ammonius feeds the poor, but it’s not clear he has real charity for them. Cyril, a brutal tactician but also well-educated and able scholar, regarded Hypatia as a political enemy: Cyril’s efforts to expand ecclesiastical power were actively opposed by Orestes, the Christian Roman prefect and a friend and student of Hypatia.

“Even my father loved a woman,” Hypatia smiles wistfully, sounding more like a Jane Austen heroine than a neoplatonist. #Agora #Christians #Philosophy Today in the Agora we have a battle between Judaism, Christianity, and Philosophy. The idea that the biological realities of human reproduction were considered unworthy of a soul seeking the highest good isn’t even on the radar. The set and effects are unbelievably fantastic, the acting is spot on and the plot is guaranteed to delight those with a passion for history or science. While The problem here isn’t simply that the filmmakers make Hypatia the embodiment of all virtue, devoid of even small faults. Among its burdens are that Hypatia of Alexandria, the celebrated neo-Platonic philosopher and mathematician, is worthy of veneration, and also that Cyril of Alexandria, saint and doctor of the Church, is not. While Hypatia’s “learning and science” was the basis for her fame and influence, there seems to be no reason to assert that Cyril or his followers hated her specifically because of her learning, as opposed to the way she used her influence. I do not own the movie contents. Synopsis. “What have I ever loved?”It’s about as plausible as the film’s depiction of Hypatia’s egalitarian embracing of slaves and aristocrats alike, with no trace of the aristocratic elitism of her era and social class. “Now they presume to teach us mercy?” Theon shakes his head before proceeding with the whipping.

If Cyril’s followers dared to throw stones at Orestes and his entourage, they could just as easily have murdered Hypatia had she been a Christian. Rachel Weisz as Hypatia and Oscar Isaac as Orestes in Alejandro Amenábar’s Horrifically murdered by a Christian mob in a conflict between Cyril and the Roman prefect Orestes, Hypatia has been misrepresented for centuries as martyr of religion’s war on reason.

Alejandro Amenábar’s Agora is a work of hagiography, and, for that matter, of anti-hagiography. Although her former slave doesn't see it that way.In the late 4th century AD, the Roman Empire is in its dying days, and in the city of Alexandria, Hypatia teaches astronomy, philosophy and mathematics. Alejandro Amenabar will need good word-of-mouth to attract wider audiences willing to sit through 144 minutes and a heavy-handed beginning in his latest film, "Agora." Even the film’s most sympathetic and unconflicted Christian, Synesius, bishop of Cyrene and a former student of Hypatia’s, holds his faith uncritically and irrationally. A liturgical confrontation between Cyril and Orestes, in which Cyril attempts to exert authority over Orestes by compelling the prefect to reverence a codex of the Gospels, becomes a referendum on Hypatia as Cyril first reads from 1 Timothy 2 (not a Gospel text, but never mind) about women keeping silent in church, going on to preach in veiled terms against Hypatia. Cyril believed that, without Hypatia’s support, Orestes would not continue to oppose him—correctly, as it turned out, since after Hypatia’s murder Orestes resigned and left Alexandria.Obviously, Hypatia’s pagan status wouldn’t have endeared her to Cyril or his followers, but given Cyril’s ruthlessness toward fellow Christians he considered enemies (Novatians, Nestorians), there seems to be no reason to think that he would have been any less displeased with Hypatia’s support of Orestes had she been baptized.

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agora film summary