ign top 100 movies

It’s a story of encroaching dread, of truth wrapping around you until it’s inescapable.

Dario Argento’s 1977 masterpiece Suspiria is one of the finest examples of Giallo horror films ever made.

Seen from the up close and stomach-turningly personal point of view of Captain John H. Miller (Tom Hanks), it's a calculated lesson in emotional shock and awe.By lingering on the pained looks and petrified bewilderment of the soldiers as they're mercilessly cut down, Spielberg transforms a history lesson you've heard a hundred times into something shockingly personal - with no score bar the gunfire and explosions of the fight, it's a scene that conveys the unrelenting and mindless slaughter of war in the most affecting way possible.Ask your well-schooled moviegoer to pick their favourite Steve McQueen scene, and they'll be spoilt for choice. But it is also one of the most romantic of the classic monster movies, with Boris Karloff giving a sincerely affectionate performance as the title monster, who longs to bring his love back to the 20th century with him. It plays out without dialogue, but the animation perfectly captures their yielding body language and longing glances. !The anonymous pilot of the crop duster is like the unseen truck driver from Spielberg's early film Duel -- he's all the more menacing because we don't know who he is or why he's doing what he's doing. You’re Next But regardless of your preference, it’s hard to argue that Kaufman’s update isn’t a vicious horror thriller.

With a mystery angle inspired by the works of Agatha Christie, a shockingly capable heroine, and giddily bloody sequences of violence balanced with the blackest of humor, this low-budget film rapidly developed a deserved cult following. In 1968, director George Romero took the frightening idea of "zombification," which up until that point had been relegated to creepy voodoo tales and extra-dimensional Lovecraft-ian lore, and created a terrifying new genre of horror: the zombie apocalypse film. When Doe reveals to David that she was pregnant, there's no turning back.Understandably, the studio felt uneasy with the ending, and several rewrites were proposed but never shot.

Artist H.R. Evil Dead II The pacing is deliberate, with exactly the right amount of jump-scares and shockingly gory visuals in just the right places, and some of them downright unexpected: Were any of us anticipating that the real Candyman would actually show up in the institution once Helen calls him to prove her sanity? And Rob Reiner’s deftly told story gives Bates and Caan all the room they need to explore that toxic relationship between an artist and their audience, and to let it devolve, organically, to horrifying behavior. I Know it Was You, Fredo "I coulda' had class. A reporter discovers a videotape with shocking imagery and a curse upon it, damning the viewer to die one week after viewing it. And it hit all its marks. More gore, more comedy, more, more, more... Sam Raimi and Bruce Campbell (and Ash!) Much of this originality has to be attributed to Clive Barker (producer and writer of the short story “The Forbidden,” which inspired Rose’s screenplay), whose signature is seen in the seductive, supernatural violence of the titular killer as well as the inversion of typical female stereotypes seen in most horror films.

Frankenstein We take all of these tried and true chase-scene conventions for granted these days, but it is director William Wyler, star Charlton Heston and their biblical epic Ben-Hur that perfected the form. Not only that, but with one line and four deadly serious words in particular, Nielsen would go from 'that guy from that thing' to a burgeoning comedy superstar.David Lean's 1957 war drama is as curiously complex as the genre comes, crafting a tale both understated and incredibly layered with a unique narrative and some stunning acting turns that helped it to bag a deserved seven Oscar wins.When POW Colonel Nicholson (Alec Guinness, in a career-defining role) and his soldiers are transferred to a Japanese prison camp, his moral resilience and steadfast British nobility stands him in good stead. The Thing Who can say? So they try to assuage his rattled nerves by telling them spooky stories that inspired them all to believe in the supernatural. Death of Roy Batty

Either of those ideas would have been enough for a conventional horror film, but David Robert Michell combines sexually transmitted infection phobias and the fear of constantly being followed to incredible effect.

Stone agreed under the condition that the shot wouldn't be used in the final film. The entire world seems to be conspiring against the most innocent of people here, as the Devil watches from the wings and Rosemary breaks down.

The plan was to have a small feast and shoot the sh! -- is uttered by Lawrence Walsh (Joe Mantell), the partner of Jack Nicholson's sardonic private eye Jake Gittes, after Jake's love interest Evelyn (Faye Dunaway) gets blown away by the LAPD.

To save her life, and eventually the life of her child, she has to discover the source of the spirit photography and - hopefully - put a vengeful spirit to rest.

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ign top 100 movies