Some of the best drum recordings are made with simple techniques like this. If you have nothing to do someday, take two identical mics, any type will do, set them for the same gain and volume, and move them around as you sing. Her presence of photo was a play on the name of recording engineer Glyn Johns. Regards from Germany, RolandI like the valuable information you provide on your articles.You’re so cool! I record all of our shows and practice when we have them. You have to be precise and diligent, creative and robotic. The Who is a combination of three extraordinary musicians - again, if you took any one of them away… The combination of Entwistle, Moon’s flamboyance and Pete Townshend was like nothing I’d ever heard. For me it is a fantastic romp through the pages of Rock and Roll history.” You most certainly know how to keep a readerAfter looking over a number of the blog posts on yourCurrently it sounds like WordPress is the top blogging platform available right now.Attractive section of content. If possible, I would like to hear the drums mixed in context with the rest of the instruments. He produced all the Led Zeppelin albums and was responsible for the sound, NOT Glyn Johns.
A combination of stereo overheads, close mics on each drum, as well as room mics seems to be the doctor’s orders for a modern, punchy drum sound. It’s just a mono drum track.I love this technique and have used it zillions of times…however, One thing is that actually when you listen to just the two ” overheads”, the snare comes from one side and the kick from the other….you use the close mics to center the signals. So by accident, stereo drums were begat.Happy Birthday Graham – hope you have a cracking day in the studio! They made a massive difference to what the band was able to do. TIA.What he was saying was that he likes the sound ( on a good console )Ahh. Obviously Jimmy was the driving force, but I don’t think John Paul Jones gets nearly enough credit for his input. The first time I did this I was shocked. I want the overheads 28 inches above the snare in an Coincident pair, I want the snare mic’d with a m201, through the Pultec, boosting 100hz and 6hhz and attenuating at 40hz and 16khz, then into the Fairchild 660. But equally John Bonham - technically he was an absolute genius, and the sound he got was just extraordinary. Glyn Johns, who engineered Led Zeppelin’s 1969 self-titled debut, basically stumbled upon a new way of recording drummer John Bonham — creating the dynamic stereo cadences that drive tracks like “Communication Breakdown.” Zeppelin guitarist Jimmy Page produced the album, but it was a microphone switch by Johns — famous for his work, too, with the Rolling Stones, the Beatles andRead … In the end, it was I who helped the artist decided which parts To use, where to double, where to dub ablibs, coached the vocal performance, ect.I wasn’t able to make out what he said about the fader (at -10db) and the gain – and this is the part that i found most interesting – does anyone know what he was actually saying and why?
Super low cost large diaphragm vocal condensers and I love how it comes out.One more thing: The set I normally record my drums with is more like the graphic used at the top of this article (2 toms instead of one & 1 splash plus a ride). "That unearthly power? As a matter of fact, there’s no time to spare: You’d better go check out Gearslutz, there’s probably some newby there you can flame for not knowing everything you do.Also, for the comment prior to that, I get the feeling your understanding of the roles of an “engineer” and “producer” are hazy at best, Jimmy Page did indeed produce the albums in question, and had a pretty good idea of how to work in the studio from his days as a session musician. Better mics in that price range?Any mic will do. Where the beater meets the head. Please deactivate your ad blocker in order to see our subscription offer I looked up the frequency response of the mics you’ve used, and I’m assuming we should go for something really flat. Thanks for sharing. Playing music for credit is not “easy” or “fun” or “magical” or “lucky.” Mostly, it’s really freakin’ hard. “Glyn Johns was there. He told me he wanted to make an album with a story and I said, Okay. Am I right?Yes, I’ve used the C01 on drum overheads a lot, especially live. I’d worked with the band in an engineering capacity so obviously I knew all the material inside out.
Legendary producer Glyn Johns remembers six of his most memorable productions, from the Rolling Stones to Led Zeppelin to The Who Shares Glyn Johns at home in London, 1972 (Image credit: Michael Putland \/ Getty Images) Make sure it’s in phase with the first OH then experiment.What kind of frequency should we get out of the overhead microphones? ブランド コピーサングラス レイバン アルマーニ バーバリー シャネル 3000点新作 ! And then – after all of this – you have to re-discover the emotional beauty in the piece, and use it in your performance.DO NOT Create Another Song Until You Read This Guide..Simply enter your email below and we'll send it right away:
When returning to drums he forgot to pan it back Which sounded great. He was there at some of the most important recording sessions in Rock and Roll. The effect was so strong. Johns worked with some of the most adored performers of the 60's, 70's and 80's including The Who, The Beatles, The Rolling Stones, Led Zeppelin and Bob… Just curious if those overheads are enough to bring out the toms over other instruments.I use it in a semi-live-situation; recording my bands jams.– Superlux PRA-628 close on centre of left guitar-speaker– t.Bone BD-200 on centre of top-right base-speaker– AKG P5 vocals (split into recording-interface and P.A.
Although Brian Jones was a great musician, they didn’t have a lead guitar player, and Mick Taylor was exactly that. Without a tube pre, even a very high quality solid state pre wouldn’t yield the same benefit from “raising the gain 10db and then lowering the fader 10db” that he says he’ll do if he’s on a “good” console.Wow, great article! So as much as Glyn might have helped to shape that sound, it was also the reason they ditched him…Do you mind if I quote a few of your posts as long as I provide credit and sources back to your site?Good information.
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